a note to my new yorkers.

The week I moved to New York, my U-Haul rental fell through. From my parents’ home in Indiana, I stared down my belongings and tried to figure out how to cut my essentials by half.

A bin of clothes, a box of mementos, a drawer of cutlery. Bit by bit, I stripped my proverbial wagon to the barest of possessions. After all, I reassured myself, I can always begin again.

I watched my Dad drive away from my building on W 27 Street, drew in a big breath, let it free. I walked back to an apartment of boxes, staring at me in the quiet. What will you make of this – this sprawling world, this concrete chaos, this blank and waiting page?

I didn’t know it, then, but I would fill it all with stories of us.

–

There’s a lot of lore about what makes a New Yorker. Most often, I hear fellow transplants regard ten years to be the tenure that earns this moniker. At a dinner party once, a woman told me New York chew you up and spits you out three times. If you stay past the third, she said, then you’re a New Yorker.

(The same woman asked me “what happens when you bring a girl home” about me living in a residence hall and turned bright red when I told her I was gay, but that’s neither here nor there.)

New York City is temporal. You can spot this quality in every corner. Trains roll in, spill a medley of folks onto the sidewalk, and clatter onward. A restaurant, having made its home for years on some city corner, shutters abruptly; a month later, it’s a 24-hour deli. To make life here is to know a community constantly coming and going, with friends and lovers fluttering in and out of the chapters like petals on the breeze.

When I think of a New Yorker, I will think of you. You, the friend who helped me spread glitter on my chest while we listened to Amy Winehouse. You, the lover who showed me the park in summer and made me cry on the train. You, the kickball teammate who greeted me each week with a kiss on the cheek. You, the neighbor whose dog refused to go back inside without watching the construction men. You, the beautiful strangers who belted Celine Dion with me on those hundred dance floor nights. You, the friend who scribbled poems with me in the aftermath of our broken hearts. You, the ones who took this gray place and injected it with a brilliant, technicolor heartbeat.

Maybe I met the New Yorker criteria in these wild mosaic years, and maybe I didn’t. I hope, when the people I remember in this chapter think of New York, they remember me just as vividly.

–

In the earliest days of my life in New York, I had very little time to pause. After work, I was running to stores to pick up essentials. On a walk home from The Container Store in Chelsea, I learned I would need to recalibrate how much I should really buy to carry home. I returned home, beleaguered and drenched in sweat, only to hop in the shower and meet a friend for beers.

When quiet found me, though, I wondered: Who would I meet in this place, and would I really be able to say I carved out a home here?

Outside my window, I see some of the leaves beginning to yellow. Annually, September brings the impossible conclusion to summer, ushering us to begin letting go and making room. As I stare, I feel time beckoning me ahead, and the logistics of a move rap sharply at my door.

Still, I can’t help but stop and think of each of you, of the moments we’ve shared and how – amidst the constant, inevitable change we called home – you each truly felt like forever.

When I go, I won’t wring my hands so heavily over the essentials I can pack into the moving truck. Clothing has a way of ceding to our yesterdays, and I’ve never been without a glass to fill my water. You, o New Yorkers, I will hoard with stubborn greed. I will hold you and our stories close for the rest of my days.

leaving new york.

I’m leaving New York.

I’m still figuring out how to tell this story, a way to pinpoint the cocktail of grief and relief on my tongue as I say it, but the facts always come out the same: After seven years, at the end of August, I’m packing up and I’m leaving New York City.

New York was the sunset of my twenties and the rise of my thirties. I’ve danced here, loved here, grieved here, belly-laughed. I’ve run thousands of miles, learned to find rest amidst the cacophony, exhaled with a feeling of home as the Manhattan skyline appeared through airplane windows. Broken heart, twisted ankle, shimmering sequin, dancefloor kiss.

Every time I go to write, the stories run into each other like watercolors. I’m making sense of the poem before the ink knows to bleed into parchment. I’m going, the time is right, I go to move, I’m dragging my feet.

I could stay forever, but I’m leaving New York.

–

I’ve started taking inventory of the stories I need to take with me. My proverbial desk is crowded with lore.

I scribble notes about the night, at Fire Island, when I woke up to pee and found a famous drag queen, out of drag, wandering our living room. I made her a snack, diced up strawberries and powdered sugar, and we talked about life in those liminal minutes. I want to remember her face lighting up, almost mischievous, as the first strawberry washed over her.

By a bullet, I mark the night I almost got punched by a bouncer at The Ritz. Over his shoulder, he had hoisted a woman from the dancefloor, and when I tilted my head at this sight, she mouthed ‘help me.’ Answering the call, a friend and I intervened, only to learn she had been found using drugs on the dancefloor, was absolutely refusing to go, and then we had barreled in. We lost ourselves in laughter on the sidewalk afterwards.

I write about my first date in the city, a French guy named Peter who kissed me after I read him a poem at the Chelsea Pier, and the way we serendipitously got tickets to a Taylor Swift concert that night. How, on my first Friday in the city, Taylor Swift performed a surprise acoustic rendition of Welcome to New York.

The night, if you can believe it, a man fell from the roof of the birthday party. Pandemic summer, and a cherished few gathered quietly on a rooftop in the eerie quiet of midtown Manhattan. A man in our party left to use the restroom, stepped off of the rooftop believing he would find solid ground. A strange sound, the startling discovery peering over, the breath of relief that, somehow, he was alive.

The time I ruined my Uber score eating Popeye’s in the backseat, even after repeat requests to stop. The blonde woman, a stranger, sharing the ride with me and laughing until tears came as I repeatedly promised I wasn’t eating and crunched the next bite.

I could keep going. I could go on and on and on. The stories I’ve gathered here, the beautiful faces populating them, the wild blur of color and feeling, I can’t bear to let a single page go.

I’ll leave my couch, sagging in relief, on the sidewalk as I go. I’ll drop books off into neighborhood libraries, donate clothing in bags, leave so much behind without thinking, but the stories? Those I will hoard and hold close.

My cup runneth over.

–

How do you know when it’s time to leave the party?

Over beer and popcorn, I confessed to a beloved New York friend that the reason I fell in love with him was the way, each night we found joy together, he believed so unflinchingly that the night could keep going. All those nights ended, sure, but he always pressed me to stay longer, dance harder, and push the next page away.

A few years ago, I started to feel my New York story closing. There was no true catalyst event, no unbearable grief or unsolvable quandary. The color within me changed, I discovered, and I started to feel at odds with the rhythms of the life I carved out here.

On trips, I’ve found myself exhaling. Oh my God, I realized many times, I am so at ease here. I started to fantasize about an apartment, somewhere gentler. About sidewalks that hadn’t claimed so much of my skin. When I’ve returned, I’ve grasped at the city’s bricks with a strange sense of knowing. It’s been time to go, and I’ve signed the lease for another year.

There’s nothing more human, after all, than to yearn for forever. I recall consoling my niece when we ran out of bread for the ducks, realizing she hadn’t yet learned to tolerate the brutality of time and its constant conclusions.

Over the past months, I’ve weighed the question: How do you know when it’s time to leave the party? Go too soon, and you might miss the night’s magic moment; stay too late, and the story could sour.

My lease was up at the end of May. By April, I wandered the neighborhood in tears, watching the train barrel by and feeling wholly unready to leave behind its rattling. I called my landlord and asked if I might stay the summer.

I’m leaving New York. I’ve gathered stories, kissed goodbye to the party, and the ending, it turns out, is being convinced to stay for another song.

june in new york.

The sun spills its oranges
into the avenues, rum and
honey gathering at our feet,
and we are drunk of it, this
young wanting, wild, our
mouths flowers spreading
open to join in another chorus.

When is it time to leave the party,
my lips go to ask but my throat
catches, pocketknife in the palms
of a curious child, I
am too old to pretend I don’t know
how balloons eventually sag
toward the floor, too young
not to want my forevers.

Thai iced tea on our breath
as you kiss me, we cut class
and pose on concrete blocks,
romance is rest and revelry,
and I stop in the street, struck
by the sun’s reach across
all this city, take my hand
and whisper, wet eyes,
let’s go home.

dnr.

Lights up on an apartment half-emptied,
cardboard boxes littering the space
in uneven clusters, strips of packing
tape and the urgent squeak of a
permanent marker, trying desperately
to control the chaos–
that is, packing up a life.

Center stage, a light bulb
dangles just out reach, pours
golden light over a slapdash
stack of whatever was left
to be taken away.

You enter the picture, step
with rehearsed precision, crane
your arm to unscrew the light, and
I approach, hands tentative, then firm,
I grasp your abdomen, watch you
methodically twist, twist, twist,
and I say – and the audience hears it,
but you don’t hear it – I’d sooner die
than let you fall from here.

Skip ahead a few scenes, and
I watch with wide eyes as
your words paint the darkness
of rooms you’ve known, and I ask – this
time, you hear it – can I join you there?

And I do, again and again –
volunteer to install an A/C unit so
you don’t do it alone, take a
train on your birthday, dinners and
darkrooms, shouting matches,
blurry walks on boardwalk beaches,
the rum punch blur of a frenzied love.

Cut ahead to a scene, two
men on a trapeze, your movements
sure and mine flailing, and
I release, and I reach, and
you pull your arms up,
watch me fall without blinking,
all the bones crack bleakly,
a single overhead light fades into black.

And I shout, stamp my feet, sob,
press my palms to my eyes
until my wrists are saltwater rivers –
only silence – so I sit there,
shaky breaths, my final scene,
here in the dark room I asked for,
until I rise to exit, and

Hey, mister, you say –
I hear it – and I take the
stage door, the steel latch
echoing briefly into both our worlds.

flash post: blood and water.

I hope the thought of me still draws blood. // What does that say about me?

They are twin thoughts, arriving at my doorstep in quick succession. The first twin, mischievous, revels a bit in the ruin. How funny, it marvels, Taylor Swift suddenly finding a way to be absolutely everywhere. My eyes scan the bar when we wander in and, for a second, twist in disappointment not to find you on some barstool. In the months immediately after our unraveling, what-if conversations played through my mind in a panic. I spent all that time getting ready, only to discover you’d stood me up.

The second twin sours the air and softens the heart. The truth is, I know my joy would buckle the moment I saw your sadness. It’s the very reason I had to claw free, start over, and let you fade into some old story. Heartbreak leaves behind war wounds, and we become like old people, swearing a snow is coming because our ankle acts up. I look in the mirror and confess I’m not cruel enough to win that kind of war, and then I wonder why I want to.

Does it make me a monster that I hope you’ve realized you lost something precious? When I think back to those days, I remember weathering your bruises for the small sake of keeping you company. I know that you know I saw you under the light, trembling. I made you safe in a way no one else ever has, and I hope it haunts you.

It’s a grotesque admission, perhaps, a monster wading out of the shadows. But what is more human, really? What feels more honest to this experience than wishing we could find a way to stay behind when we go?

Ours is a story collecting dust on some sun-soaked windowsill. Cracking its pages is an eerie reminder of the passage of days and the pileup of debris. To draw blood now would be to strike a person far removed from the man who left these marks. We are strangers whose past selves are trapped in amber in one another’s junk drawer.

When we broke, water flooded the room, and our lungs burned for air. The rooms have dried, those rotting floorboards ripped up and replaced, and that faucet goes untouched. Still, in the silence of a stray moment every thirtieth day, there falls a solitary drip. Funny the way the sound echoes throughout the house.

flash post: lore.

The older I get, the deeper I fall in awe of memory. Why, as I walk to grab oranges at the market, do I think of my grandma singing ‘Knock Three Times’? On a run, I remember a boy who did coke and then kissed me, remarking with delighted eyes that my lips tasted like coke. I chuckle, and I marvel at having met him only once, years ago. Is it strange to remember this silly intimacy? What, if anything, does he remember of me?

I hoard stories. I relive them with every re-telling, examining the edges and finding new meaning. I play the same video games over and over, immersing in those worlds. Songs attach themselves to chapters of my life. I healed from my first breakup listening to Blank Space on YouTube over and over, running circles around Worthen Arena in Muncie, Indiana, the parking lot stale with snow.

An old lover told me I was the biggest devotee to lore he’d ever met. I remember feeling suddenly naked. He was right. I delight in the lore of everything. I am, in ways, always crafting my own.

What will I think of these days, once they’re gone? Who will I ache to see again? What stories will I tell, over and over, and who will populate them?

time and the turning of pages.

Valentino arrives at the apartment and the inspection begins. It’s December 30, the night before New Year’s Eve, and we’ve agreed to dog-watch. Fluffy and remarkably nimble, Tino might seem young at first glance. A closer look, however, reveals that time has poured milk across his eyes. As he sniffs out the boundaries of his newfound quarters, he makes a series of gentle collisions:

Bump. Terse exhale. Continue.

We go about clearing obstacles and setting up comforts. Tino’s bed and feeding bowls are nestled together in the bedroom, and Josh brings him here repeatedly for orientation. He is determined, however, to explore.

When I go to pet him, brushing a gentle palm across his forehead, he catches a whiff of a stranger and barks a scrappy defense. I concede.

My cat, however, is far less willing to capitulate to Tino’s demands. As Tino explores the apartment, he is unwittingly stalked by a fascinated tabby, pupils wide and unblinking in the watching. Occasionally, the blind dog changes course unexpectedly, and August acrobatically escapes to some higher ground. We watch this, laughter rolling into the apartment.

Before Josh goes to work, he takes Tino for a walk and then shuts him in the bedroom. He asks me to ensure the cat and dog are kept separate for the time being, and I agree. Later, I decide to head to the gym, and I step gingerly into the bedroom. Valentino hears me, barreling immediately into motion, and, in a panic, I roll onto the bed and freeze. The next three minutes are quiet, the dog curiously sniffing the air and the grown man watching with a mischievous grin.

Valentino doesn’t have much time left. Dogs are a strange and miraculous gift, so very alive and attuned to the worlds of humans, but also markedly finite. We cannot make him young again, but we can build these days around ensuring he is cozy and cared for.

And his is not a life without stories, even now. In the course of a few days, he has infuriated the cat by finding and finishing his food, he has held me hostage in my own bedroom, and he has made us cackle in laughter.

Time is relentless in its turning of pages, no matter how much we ache to slow it, but it also permits us the chance to scribble down what we might one day hope to remember.

–

I adore New Year’s Day.

By this, I don’t really mean to say I adore New Year’s Eve. In my experience, the last night of the calendar year usually amounts to a messy blend of social pressure, the ticking of the clock, and communal celebration. I’ve shouted ‘Happy New Year’ alongside best friends and lovers, but strange characters always somehow factor into the experience. On the lucky years, the blur is more joyful than rushed.

New Year’s Day, however, always strikes me with the blinking softness of a blank page. Walking on the sidewalk, riding the train, I can feel it from everyone. It’s written, plain as day, on their faces. Everyone is lost in thought: reflecting on the past year, wondering about the future, and thinking about how to start writing.

I love the clumsiness of first sentences. A blank page means anything is possible, but the first sentence sets a story in motion. New Year’s Day feels fresh, feels possible, feels tender, feels hopeful, feels imaginative. Perhaps this will be the year we break better. Perhaps these will be the days our hands figure out how to strum that melody we’ve been humming.

–

2024 was the year I learned to exhale and let go.

I began the year with a scrappy sense of resolve: I would hit 2024 with a sprinting start, hitting the gym each day and chasing my wildest joy. In the first week of the year, however, I watched someone I adore crumble into crisis. Days later, I took a nasty spill on an evening run, cracking my phone screen and rolling my ankle.

When I noticed my lower back tightening up, I tried to push it through exercise. I spent the rest of the week lying on my living room floor, passing the hours watching sitcoms and calling whoever had time to listen. I came into 2024 with ferocious intentions, but, in these hours, I reached a new resolution: This would be the year of gentleness.

I started a morning yoga practice and worked to commune with my body as it healed. When I recovered enough to run, to lift weights at the gym, I did these things with gratitude and without brutality. Perhaps a more honest strength lies in gentleness.

For 2025, I resolve only to go gentler. I will wander where my soul can find rest, and I will commune with people around whom my guard unravels. I will write – poetry, stories, love letters, eulogies, forewords – and I will scribble my initials on every draft.

fifteen griefs and a hope.

Today, I only want the world
from the window, the
indifference of sunlight, I
am a bundle of raw nerves,
a shaking breath, weighed
down not by my griefs,
but my hope, a fresh-cut
flower of stubborn root,
wincing and reeling deep
beneath my sternum.

Already, I can feel it
trying to flower, my
weary frame twisted in
blankets on the couch, writing
love letters to people who
won’t leave me to tend my
own wounds, my hands reach
to make a soft landing,
sowing hope, forming
chosen family through broken heart.

There is God in the brown-bag
bagels we split for lunch, God
in the soothing familiarity of
favorite stories, God in an
orange tabby dropping a rose
at my side, purring, and
the False God, held
before me, shudders at
hopes like these, quakes in the
face of real power.

Grief pulls us to the ground, and
hope’s frayed edges know these
to be the seasons to burrow,
to strengthen, to build, to
nurture, shedding counterfeit
community for something sturdier,
to fight, to resist, to keep going.

november roses.

Yellow bleeds into the leaves
outside my window, I wonder
do they feel themselves die, try
to spot the green giving way,
ponder the consciousness of
trees, imagine the branches
staring back in, whispering,
he’s looking so much stronger
these days, down to the roots.

You never touched my November,
let’s give thanks to that, nothing
to rinse loose amidst these
new early nights, playlists
shift from electropop wanting
to the soft acoustic strumming,
rest and romance and reveling,
poetry in everything, pressing
meaning into every minute
of the dissipating daylight.

Imagining the future is
a love language, as is
making a meal and
presenting it on the couch,
watch with wide eyes at
the first bite, we should
catch a show or
bike to the brewery before
it gets too cold, we should
go, but let’s stay, is a
language, planting roses
on the eve of some November.

a.m. poetry.

Night is falling sooner, I
just can’t catch my breath,
hold a friend close and
promise each other it’ll
be all right, these weary
hearts, these traveled
feet, my wristwatch counts
the steps, and I am
always on some long walk
somewhere, finding beauty
in all the great unknowns.

Money is a magic rope, pulling
tighter around the ribcage
the more you move, but
maybe it’ll be okay, split
a homemade meal and
escape into a story,
try and remember when
the breathing came easy.

MAGA hat, proud display, I don’t care
that you’re scared but don’t let
it divide us, red-faced
rhetoric, poisoned softness,
don’t meet your heroes, kid.

I bump into an old boyfriend’s
dick on the Internet, and,
I break into laughter, surprising
myself and alarming my cat,
time melting a wound down
to a punchline, after all.

Late night poetry club,
grief and gratitude right in the
midst of a hundred unknowns,
nurturing hope, scavenging
hope, purchasing hope on
layaway, in the stanzas,
pleasant wanderings home,
lamplight verses.